We are working through seven principles we use to interpret classical forms. These principles are not the first or the last word on this subject; for that matter, this list is not exhaustive. These seven principles are the basis from which we derive most of our form interpretation. We will discuss other terms and concepts as we go.

There are several ways to interpret forms to extract the most useful techniques. Bunkai; the interpretation follows the moves of the form precisely. Oyo; the interpretation generally follows the moves of the form; some moves might appear out of order or skipped entirely. Shorthand; one or two moves shown in the form imply moves that are not shown.

We find employing these three devices - bunkai, oyo and shorthand – allows greater flexibility of thought and expression. This flexibility allows each student to find the technique or techniques that work best for them. In this way our general art becomes a specific art tailored to each student.

Next time:

PRINCIPLE 6: Forms are not Free Fighting